https://en.wikipedia.org/w/index.php?title=Category:Italian_opera_composers&oldid=952335506, Template Category TOC via CatAutoTOC on category with 301–600 pages, CatAutoTOC generates standard Category TOC, Creative Commons Attribution-ShareAlike License, This page was last edited on 21 April 2020, at 18:43. Such spectacles were usually staged to commemorate significant state events: weddings, military victories, and the like, and alternated in performance with the acts of plays. Opera seria had its weaknesses and critics; a taste for embellishment on behalf of the superbly trained singers, and the use of spectacle as a replacement for dramatic purity and unity drew attacks. In 1765 Melchior Grimm published "Poème lyrique", an influential article for the Encyclopédie on lyric and opera librettos.[7][8][9][10][11]. Opera was born in Italy around the year 1600 and Italian opera has continued to play a dominant role in the history of the form until the present day. "Va, pensiero", one of the chorus renditions, was interpreted and gave advantageous meaning to the struggle for Italian independence and to unify Italy. Among the composers who worked in this period were Luigi Rossi, Michelangelo Rossi, Marco Marazzoli, Domenico and Virgilio Mazzocchi, Stefano Landi. They were lavishly staged, and led the scenography of the second half of the 16th century. Berio himself wrote two operas, Un re in ascolto and Opera. Recitative thus preceded the development of arias, though it soon became the custom to include separate songs and instrumental interludes during periods when voices were silent. For an alphabetical listing, see List of Italian composers. Thus, in the early 19th century, both Carl Maria von Weber in Germany and Hector Berlioz in France felt they had to challenge the enormous influence of the Italian Rossini. The intermedi tended not to tell a story as such, although they occasionally did, but nearly always focused on some particular element of human emotion or experience, expressed through mythological allegory. Later Italian composers, such as Berio and Nono, have experimented with modernism. Romantic opera, which placed emphasis on the imagination and the emotions began to appear in the early 19th century, and because of its arias and music, gave more dimension to the extreme emotions which typified the theater of that era. Italian opera set the baroque standard. This is illustrated in the first of his "reform" operas, Orfeo ed Euridice, where vocal lines lacking in the virtuosity of (say) Handel's works are supported by simple harmonies and a notably richer-than-usual orchestral presence throughout. It was a tremendous success and marked the beginning of Italian operatic dominance north of the Alps. This category has the following 2 subcategories, out of 2 total. Enter the answer length or the answer pattern to get better results. All such works tended to set humanist poetry of a type that attempted to imitate Petrarch and his Trecento followers, another element of the period's tendency toward a desire for restoration of principles it associated with a mixed-up notion of antiquity. His first success was an "opera buffa" (comic opera), La Cambiale di Matrimonio (1810). Mozart, in many ways Gluck's successor, combined a superb sense of drama, harmony, melody, and counterpoint to write a series of comedies, notably The Marriage of Figaro, Don Giovanni, and Così fan tutte (in collaboration with Lorenzo Da Ponte) which remain among the most-loved, popular and well-known operas today. Cavalli's operas were performed throughout Italy by touring companies with tremendous success. By the end of the 17th century some critics believed that a new, more elevated form of opera was necessary. It was here that the first public opera house, the Teatro di San Cassiano, was opened in 1637 by Benedetto Ferrari and Francesco Manelli. https://www.liveabout.com/top-romantic-period-composers-724408 These were mournful arias sung over a descending bass line and they had a great influence on Henry Purcell, whose "When I am laid in earth" from Dido and Aeneas is probably the most celebrated example of the form. When Orfeo was performed in Mantua, an orchestra of 38 instruments, numerous choruses and recitatives were used to make a lively drama. The Arcadian poets introduced many changes to serious music drama in Italian, including: By far the most successful librettist of the era was Pietro Metastasio and he maintained his prestige well into the 19th century. It was Verdi who transformed the whole nature of operatic writing during the course of his long career. Verdi … The era that produced some of the most famous Italian opera composers, the 19th century was opera’s romantic period. The bulk of the versification was still recitative, however at moments of great dramatic tension there were often arioso passages known as arie cavate. Their ideas would give birth to a genre, opera seria (literally "serious opera"), which would become dominant in Italy and much of the rest of Europe until the late 18th century. Opera has always played an important role in Italian culture. The principal characteristics of Venetian opera were (1) more emphasis on formal arias; (2) the beginning of bel canto ("beautiful singing") style, and more attention to vocal elegance than to dramatic expression; (3) less use of choral and orchestral music; (4) complex and improbable plots; (5) elaborate stage machinery; and (6) short fanfarelike instrumental introductions, the prototypes of the later overture.[5]. Monteverdi was an Italian composer who was a pioneer in the development of opera. Ferrero likewise has composed several operas including Salvatore Giuliano, La Conquista, and his 2011 Risorgimento! The chorus “Va, pensiero” from his early opera Nabucco (1842), and similar choruses in later operas… The style of singing favored by Peri and Caccini was a heightened form of natural speech, dramatic recitative supported by instrumental string music. It was characterised by: vocal virtuosity; a more refined use of the orchestra; the great importance given to the production; the presence of misunderstandings and surprises in the course of the drama. Verdi was experimenting with musical and dramatic forms, attempting to discover things which only opera could do. What Are the Names of Famous Opera Composers of Italian Origin? Goldoni and Galuppi's most famous work together is Il filosofo di campagna (1754). L'Orfeo also has the distinction of being the earliest surviving opera that is still regularly performed today. Under Monteverdi's followers, the distinction between the recitative and the aria became more marked and conventionalised. Since the 1630s, the subject of the works changed greatly: those of the pastoral tradition and Arcadia, it is preferable that the poems of chivalry, usually Ludovico Ariosto and Torquato Tasso, or those taken from hagiography and Christian commedia dell'arte. A large part of their budget was spent on attracting the star singers of the day; this was the beginning of the reign of the castrato and the prima donna (leading lady). Wikipedia list article. Works by native Italian composers of the 19th and early 20th centuries, such as Rossini, Bellini, Donizetti, Verdi and Puccini, are amongst the most famous operas ever written and today are performed in A dramma per musica (as serious Italian opera was known at the time) entitled Giuditta, based on the Biblical story of Judith, was performed in 1635. Opera - Opera - Italy in the first half of the 19th century: The remarkable musical achievements of the classical Viennese style during the late 18th and early 19th centuries threatened to leave Italy, opera’s native home, out of the operatic mainstream. The solo madrigal, frottola, villanella and their kin featured prominently in the intermedio or intermezzo, theatrical spectacles with music that were funded in the last seventy years of the 16th century by the opulent and increasingly secular courts of Italy's city-states. Although these lost works seem only to have included arias, with no recitative, they were apparently what Peri was referring to, in his preface to the published edition of his Euridice, when he wrote: "Signor Emilio del Cavalieri, before any other of whom I know, enabled us to hear our kind of music upon the stage". Dafne by Jacopo Peri was the earliest composition considered opera, as understood today. The following 200 pages are in this category, out of approximately 417 total. Works by Italian composers of the 19th and early 20th centuries, such as Rossini, Bellini, Donizetti, Verdi and Puccini, count among the most famous operas ever written and are performed in the most prestigious opera houses around the world. This was a type of musical drama initially considered as a condensed version of a longer comic opera, but over time it became a genre in its own right. Gluck's reforms have had resonance throughout operatic history. In his early operas, Verdi demonstrated a sympathy with the Risorgimento movement which sought the unification of Italy. This is evident in the style of the four most successful composers of the next generation: Francesco Cavalli, Giovanni Legrenzi, Antonio Cesti and Alessandro Stradella. Operas were now divided into two or three acts, creating libretti for works of a substantially greater length, which differed significantly from those of the early 18th century in the complexity of their plots and the psychology of their characters. Weber, Mozart and Wagner, in particular, were influenced by his ideals. In Rome, it found an advocate in the prelate and librettist Giulio Rospigliosi (later Pope Clement IX). His first great successful opera, Nabucco (1842), caught the public fancy because of the driving vigour of its music and its great choruses. One of his specialties was giving his heroines "ground bass laments". During the 18th century artistic and cultural life in Italy was heavily influenced by the aesthetic and poetic ideals of the members of the Accademia dell'Arcadia. This is a dynamic list and may never be … This list may not reflect recent changes (learn more). The first to really succeed and to leave a permanent imprint upon the history of opera, however, was Gluck. Carlo Franchi (composer) Vito Frazzi; Domenico Freschi; Alexandro Marie Antoin Fridzeri; Francesco Paolo Frontini Only France resisted (and her operatic tradition had been founded by the Italian Lully). Italian opera is both the art of opera in Italy and opera in the Italian language. From its conception during the baroque period to the maturity of the romantic period, it was the medium through which tales and myths were revisited, history was retold and imagination was stimulated. Composers who wanted to develop their own national forms of opera generally had to fight against Italian opera. The composers of these operas are not known: they may have been Poles working under Marco Scacchi in the royal chapel, or they may have been among the Italians imported by Władysław. Opera buffa was distinguished from opera seria by numerous characteristics: In the second half of the 18th century comic opera owed its success to the collaboration between the playwright Carlo Goldoni and the composer Baldassare Galuppi. German-Language Opera . Some of the greatest Italian operas of the 20th century were written by Giacomo Puccini (1858–1924). After Nabucco, Verdi based his operas on patriotic themes and many of the standard romantic sources: Friedrich Schiller (Giovanna d'Arco, 1845; I masnadieri, 1847; Luisa Miller, 1849); Lord Byron (I due Foscari, 1844; Il corsaro, 1848); and Victor Hugo (Ernani, 1844; Rigoletto, 1851). The names of these Italian operas include information like who the composer of each opera was. Works by native Italian composers of the 19th and early 20th centuries, such as Rossini, Bellini, Donizetti, Verdi and Puccini, are amongst the most famous operas ever written and today are performed in opera houses across the world. The composer was probably Virgilio Puccitelli. [1] Peri's works, however, did not arise out of a creative vacuum in the area of sung drama. Gli amori di Aci e Galatea by Santi Orlandi was also performed in 1628. The theme of Orpheus, the demi-god of music, was understandably popular and attracted Claudio Monteverdi (1567–1643) who wrote his first opera, L'Orfeo (The Fable of Orpheus), in 1607 for the court of Mantua. Find album reviews, stream songs, credits and award information for Italian Opera Composers' Songs - José Carreras on AllMusic - 1990 Verdi came to dominate the Italian opera scene after the era of Bellini, Donizetti, and Rossini, whose works significantly influenced him, becoming one of the pre-eminent opera composers in history. Romantic composer of Italian opera, ... Verdi. Italian opera had already been performed in France in the 1640s to a mixed reception and Cavalli's foreign expedition ended in disaster. The Crossword Solver finds answers to American-style crosswords, British-style crosswords, general knowledge crosswords and cryptic crossword puzzles. This list features La traviata, La bohème and more. The composers run from Jacopo Peri, who wrote the first ever opera in late 16th century Italy, to John Adams, one of the leading figures in the contemporary operatic world. Most music lovers have encountered Handel through Christmas-time renditions of the Messiah’s ‘Hallelujah’ Chorus, or his enduringly popular Music for the … From this, it was only a small step to fully-fledged monody. A Abraham, Paul Adam, Adolphe Adamo, Mark Adams, John Coolidge Albert, Eugen de Alfano, Franco Argento, Dominick Ascher, Leo Auber, Daniel. Soon many other opera houses had sprung up in the city, performing works for a paying public during the Carnival season. Before Monteverdi came along the fledgling genre of opera was an academic exercise in the recreation of ancient Greek theatre. He also participated briefly as an elected politician. Opera was born in Italy around the year 1600 and Italian opera has continued to play a dominant role in the history of the form until the present day. This had two buffo characters, two nobles and two "in between" characters. Famous Italian classical composers include: Amilcare Ponchielli (1834 – 1886) Giuseppe Verdi (1813 – 1901) Gioachino Rossini (1792 – 1868) Gaetano Donizetti (1797 – 1848) Giacomo Puccini (1858 – 1924) Pietro Mascagni (1863 – 1945) With links to the opera itself with the scenes, libretto and synopsis of the opera and the composer. A libretto by Metastasio was often set by twenty or thirty different composers and audiences came to know the words of his dramas by heart. The collaboration between Goldoni and another famous composer Niccolò Piccinni produced with La Cecchina (1760) another new genre: opera semiseria. This consisted of a series of madrigals strung together to suggest a dramatic narrative, but not staged. Rospigliosi's patrons were the Barberini. Shortly after this performance, the court produced Francesca Caccini's opera La liberazione di Ruggiero dall'isola d’Alcina, which she had written for Prince Władysław Vasa three years earlier when he was in Italy. https://www.classicfm.com/.../periods-genres/opera/best-composers Then – bam! Only in the early years of the 18th century was the comic genre of opera buffa born in Naples and it began to spread throughout Italy after 1730. Figure 1. Opera-Arias.com is an aria database containing information about more than 175 Opera Composers, 530 Operas, 2,890 Opera Arias, 860 Opera Duets, 620 Opera Ensembles, 2800 Opera Singers and a total of over 7,690 Opera Scenes.The searchability of this aria database has been designed to be as easy as possible and the information as complete as possible. Enter the answer length or the answer pattern to get better results. In the 17th century comic operas were produced only occasionally and no stable tradition was established. Gluck tried to achieve a "beautiful simplicity". [2] There were also two staged musical "pastoral"s, Il Satiro and La Disperazione di Fileno, both produced in 1590 and written by Emilio de' Cavalieri. A Music History Must-Have! Another first, this is the earliest surviving opera written by a woman. The music of Dafne is now lost, except for the 455 line verse libretto. Opera as we know it today springs from his innovations. The one-act farsa had a significant influence on the development of comic opera. Handel, Hasse, Gluck and Mozart) were often not natives of Italy. Italy is regarded as the birthplace of opera and the home to some of the world’s most renowned composers. The Italian word opera signifies “work”, both in the sense of the labor done and the result created. His best known works include; Nabucco, Rigoletto, Aida, La Traviata and Falstaff. The first opera for which music has survived was performed in 1600 at the wedding of Henry IV of France and Marie de Medici at the Pitti Palace in Florence. In Venice, musical drama was no longer aimed at an elite of aristocrats and intellectuals and acquired the character of entertainment. (previous page) () Click the answer to find similar crossword clues. He advocated that opera seria had to return to basics and that all the various elements—music (both instrumental and vocal), ballet, and staging—must be subservient to the overriding drama. Opera took an important new direction when it reached the republic of Venice. The opera houses employed a very small orchestra to save money. The opera, Euridice, with a libretto by Rinuccini, set to music by Peri and Giulio Caccini, recounted the story of Orpheus and Eurydice. Rossini's successors in the Italian bel canto were Vincenzo Bellini (1801–35), Gaetano Donizetti (1797–1848) and Giuseppe Verdi (1813–1901). You can also filter this list of historic Italian operas for specific information, such as when it was first performed. Its success moved opera away from aristocratic patronage and into the commercial world. Verdi was politically active and contributed to the reunification of the Italian peninsula. B Balfe, Michael William … An underlying prerequisite for the creation of opera proper was the practice of monody. The influence of this new attitude can be seen in the works of the composers Carlo Francesco Pollarolo and the enormously prolific Alessandro Scarlatti. In the Polish–Lithuanian Commonwealth a tradition of operatic production began in Warsaw in 1628, with a performance of Galatea (composer uncertain), the first Italian opera produced outside Italy. [5] Monteverdi wrote three works for the public theatres: Il ritorno d'Ulisse in patria (1640), Le nozze d'Enea con Lavinia (1641, now lost) and, most famously, L'incoronazione di Poppea (1642). Crossword Clue The crossword clue Italian opera composer with 5 letters was last seen on the February 10, 2021.We think the likely answer to this clue is VERDI.Below are all possible answers to this clue ordered by its rank. Like the later opera, an intermedio featured the aforementioned solo singing, but also madrigals performed in their typical multi-voice texture, and dancing accompanied by the present instrumentalists. Opera had revealed its first stage of maturity in the hands of Monteverdi. In the late 17th century, German and English composers tried to establish their own native traditions but by the early 18th century they had given ground to imported Italian opera, which became the international style in the hands of composers such as Handel. Francesco Algarotti's Essay on the Opera (1755) proved to be an inspiration for Christoph Willibald Gluck's reforms. Some famous Italian Opera composers include Puccini, Paganini, Salieri, Vivaldi, Rossini and Mascagni to name but a few. Many famous operas in Italian were written by foreign composers, including Handel, Gluck and Mozart. Opera had become a marriage of the arts, a musical drama, full of glorious song, costume, orchestral music and pageantry; sometimes, without the aid of a plausible story. These now included some serious figures instead of exaggerated caricatures and the operas had plots which focused on the conflict between the social classes as well as including self-referential ideas. The strength of it fell into a more violent era for opera: verismo, with Cavalleria rusticana by Pietro Mascagni and Pagliacci by Ruggero Leoncavallo. , attempted to put these ideals into practice huge emotions, conflicted characters, the distinction between the words music... 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